Choreography Sheet prompt in GPT Image 2: A 16:9 fight-choreography stor...

Choreography Sheet prompt in GPT Image 2: A 16:9 fight-choreography storyboard sheet. Rough 2D pencil-sketch board, monochrome graphite on off-white paper: loose construction lines, visible under-drawing, smudged shading, no rendering, no color anywhere EXCEPT the single yellow element described below. Flat 2D drawing, NOT a 3D render, NOT a photograph. LAYOUT: exactly 16 rectangular panels in a strict 4-column x 4-row grid, thin hand-drawn panel borders, even gutters. Panels read left-to-right, top-to-bottom, numbered 1 to 16 in small hand-lettered numerals in the top-left corner of each panel. Five hand-lettered beat headers sit in the gutters beside their panel groups: BEAT 1 - OPENING FIRE (panels 1-4), BEAT 2 - THE GAP CLOSES (panels 5-7), BEAT 3 - STEEL (panels 8-10), BEAT 4 - THE FLURRY (panels 11-13), BEAT 5 - RESET (panels 14-16). Small hand-lettered title along the top edge: VIPER vs RAINA - FIGHT CHOREOGRAPHY. No other text. FIGURES: both fighters are featureless mannequin figures - smooth blank heads, no faces, no eyes, no mouths, no facial features of any kind, no skin texture, no hair strands. Anatomy is simplified artist-mannequin form. They are told apart ONLY by silhouette and gear outline: FIGURE A - VIPER: slim tall silhouette, long straight hair mass falling past the shoulder blades, high-cut leotard bodysuit outline, thigh-high boots with a raised heel, twin drop-leg holster rigs strapped to both thighs, a long slightly-curved sword in a scabbard slung diagonally across her back. She carries two compact semi-automatic pistols with cylindrical threaded suppressors extending past the muzzle. FIGURE B - RAINA: athletic silhouette, high curly ponytail whipping behind her, one sculpted shoulder pauldron on her left shoulder only, bare arms with wrapped forearm bracers, long split robe panels hanging front and back to ankle length, wrapped shin greaves, flat sandals. No weapons - bare fists and bare feet only. THE ONLY COLOR: warm yellow motion trails streaming off Raina's fists, forearms, and feet as they travel - tapered ribbon arcs, brightest at the limb and fading along the trail. Yellow appears on Raina's strikes and nowhere else. Everything else on the sheet is pure greyscale graphite. LABAN MOVEMENT NOTATION: over every panel, overlay Laban movement-analysis directional lines drawn in graphite - clean arcing arrows tracing each limb's path of travel, straight arrows for direct thrusting actions, spiral arrows for rotational actions, short hatch-mark clusters at points of impact, small weight-shift arrows at the base of each figure's stance showing ground pressure and direction of drive. These overlay lines stay monochrome - do not color them. PANEL CONTENT: 1. Opens mid-action, no posing: Viper low in a sideways slide, both suppressed pistols punched out and firing, muzzle flare drawn as short radiating graphite spikes. Raina is already breaking off her line, mid-motion, at the far side of frame. 2. Raina spiral-evades, corkscrewing her torso under the line of fire, one forearm sweeping across her body with a yellow trail. 3. Viper rolls over her shoulder across the ground, firing upward mid-roll, both pistols crossed - gun-fu geometry. 4. Raina closes hard, driving a palm across the top of Viper's pistol slide to push the barrel off-line, yellow arc bursting off the palm. 5. Raina inside Viper's guard, knee driving up into the ribs; Viper twists the near pistol aside with her wrist. 6. Viper presses her off-hand pistol against Raina's hip and fires point-blank; Raina is already spinning off the muzzle line. 7. Raina's rising back-kick smashes Viper's right pistol spinning out of frame, long yellow arc trailing the heel; Viper is already releasing the second pistol and reaching both hands back over her shoulder to the scabbard hilt. 8. Sword draw and cut in one motion: rising diagonal cut on the draw stroke. The back scabbard is clearly visible and clearly EMPTY. 9. Raina bends backward at the waist under the blade arc, both hands sweeping to the floor, yellow trailing from both hands. 10. Viper reverse-grip descending cut; Raina catches it on a crossed X-block of both forearm bracers, yellow burst at the contact point. 11. Raina's flurry - a chain of overlapping punch positions drawn as layered ghosted repeat-images of the same arm, stacked yellow trails; Viper covering with the flat of the blade. 12. Spinning hook kick - one long sweeping yellow arc carved across the whole panel; Viper ducking beneath it, blade low. 13. Raina's driving palm strike lands to the sternum; Viper skidding backward, both boot heels dragging, scuff lines behind her. 14. Viper recovers low on one knee, sword in her right hand, left hand snatching the fallen suppressed pistol out of the air. 15. Both commit simultaneously: Viper thrusting the sword forward while firing the pistol; Raina launching a double strike, yellow bursting from both hands. 16. Held at maximum extension - the frame before impact, both figures fully committed, all Laban lines converging to a single point between them. STRICT: no faces, no facial features, no color other than Raina's yellow strike trails, no blood, no gore, no wounds, no photorealism, no cel shading, no digital painting, no watermark, no signature.