Farnsworth House LESS 海报

目标：创作一张极简主义现代主义建筑海报，主题为 {argument name="architect and building" default="密斯·凡·德·罗 — Farnsworth House"}，画面中心为一张干净的白纸，在暖白色的墙面上投下微妙的阴影。 画布：竖版海报，比例约为 2:3，留有宽裕的边距，呈现精致的画廊印刷质感。使用柔和的鼠尾草绿、灰色、黑色和米白色调，采用清晰的矢量风格插画、轻微的纸张纹理以及包豪斯/瑞士风格排版。 布局：在顶部中心位置，放置两行小字大写字母，内容分别为 "MIES VAN DER ROHE" 和 "THE FARNSWORTH HOUSE"。在其下方，用一个巨大的粗体黑色单词 {argument name="main headline" default="LESS"} 占据海报主体，采用压缩的无衬线大写字体，横跨大部分宽度。建筑插画与该单词的下半部分重叠。 主体细节：将 Farnsworth House 表现为正立面视角下的长条形低矮透明玻璃展馆：白色的平屋顶板、由细长白色立柱支撑的白色底板、带有可见室内家具的透明玻璃墙，以及通向悬浮露台平台的中央楼梯。正面立面需精确绘制 6 根醒目的垂直白色结构柱，以及细长的窗棂。右侧包含浅浅的反射水面或地面，下方为棱角分明的绿色阴影，背景为平坦的现代景观。房屋周围需精确绘制 9 棵风格化的树木/灌木：2 棵深绿色高尖树、2 棵浅灰色垂直树、2 丛圆形浅绿色灌木、2 棵细长叶树，以及右侧 1 棵小型堆叠椭圆形树。 文字内容：在插画下方，居中放置一段紧凑的窄版无衬线大写段落："A PROTOTYPE OF MODERNIST DOMESTIC ARCHITECTURE, DEFINED BY ABSOLUTE SIMPLICITY, TRANSPARENCY, AND A PROFOUND CONNECTION WITH NATURE. THE TRANSPARENT GLASS WALLS BLUR THE BOUNDARY BETWEEN INTERIOR AND EXTERIOR, REALIZING MIES VAN DER ROHE'S PRINCIPLE OF 'LESS IS MORE'." 在底部中心，添加地点/日期行 {argument name="location and year" default="美国伊利诺伊州普莱诺 | 1951 年"}。 视觉风格：极简扁平矢量海报，建筑立面图，玻璃具有微妙的透明感，干净的几何构图，柔和的中世纪现代配色，强烈的排版层级，精准的对齐，无人物，无 Logo，无水印。

Goal: Create a minimalist modernist architecture poster for {argument name="architect and building" default="Mies van der Rohe — The Farnsworth House"}, centered on a clean white paper sheet with subtle shadow on a warm off-white wall. Canvas: Vertical poster, approximately 2:3 aspect ratio, with generous margins and a refined gallery-print look. Use muted sage green, gray, black, and off-white tones, crisp vector-like illustration, slight paper grain, and Bauhaus/Swiss typography. Layout: At the top center, place two small uppercase lines reading "MIES VAN DER ROHE" and "THE FARNSWORTH HOUSE". Below them, dominate the poster with one enormous bold black word, {argument name="main headline" default="LESS"}, in condensed sans-serif capitals, spanning most of the width. The architectural illustration overlaps the lower half of this word. Subject details: Show the Farnsworth House as a long, low, transparent glass pavilion in front elevation: a white flat roof slab, a white floor slab raised on thin white columns, transparent glass walls with visible interior furniture, and a central stair leading down to a floating terrace platform. Count exactly 6 prominent vertical white structural columns across the front facade, plus thin window mullions. Include a shallow reflective water or ground plane to the right, angular green shadows below, and a flat modern landscape behind it. Count exactly 9 stylized trees/shrubs around the house: 2 tall dark green pointed trees, 2 pale gray vertical trees, 2 rounded pale green shrub masses, 2 slender leafy trees, and 1 small stacked oval tree near the right side. Text content: Below the illustration, center a compact uppercase paragraph in narrow sans-serif: "A PROTOTYPE OF MODERNIST DOMESTIC ARCHITECTURE, DEFINED BY ABSOLUTE SIMPLICITY, TRANSPARENCY, AND A PROFOUND CONNECTION WITH NATURE. THE TRANSPARENT GLASS WALLS BLUR THE BOUNDARY BETWEEN INTERIOR AND EXTERIOR, REALIZING MIES VAN DER ROHE'S PRINCIPLE OF 'LESS IS MORE'." At the bottom center, add the location/date line {argument name="location and year" default="PLANO, ILLINOIS, USA | 1951"}. Visual style: Minimal flat vector poster, architectural elevation drawing, subtle transparency in glass, clean geometric composition, muted mid-century modern palette, strong typographic hierarchy, precise alignment, no people, no logos, no watermark.