适用于 Seedance 2.0 的反乌托邦超现实电影感视频提示词
一份为 Seedance 2.0 准备的详细多场景提示词,旨在生成一部黑暗、超现实的战后反乌托邦电影。包含特定的运镜、调色及象征性意象,如破碎的巨型人脸和背负房屋结构的女性。
- 分类
- 建筑空间
- 模型
- seedance-2.0
- 来源作者
- Smiling Khan
- 原始语言
- en
- 来源 ID
- 2815
- 发布时间
- 2026年4月6日
完整提示词
一部黑暗、具有电影感的超现实影片,背景设定在战后反乌托邦城市,色调柔和,冷色调处理,浅景深,轻微胶片颗粒感,戏剧性光影。 场景 1: 雾气弥漫的海岸线旁,一条破裂的空旷街道。一名身穿灰色长外套的女性正缓慢走向镜头。在她身旁,漂浮着一张由破碎建筑和混凝土构成的巨型人脸,仿佛有生命般微妙地移动。空气中漂浮着尘埃颗粒。 场景 2: 切换至室内,一个疲惫的孩子靠在破损的墙壁上,双眼半闭,神情憔悴。在模糊的背景中,另一个孩子静静地坐着。氛围沉重、荒凉且绝望。 场景 3: 一名神情严峻的中年男子身穿灰色大衣,站在废墟般的欧式街道上,身旁是一辆生锈的旧车。镜头缓慢推进,他神情坚毅地注视着前方。 场景 4: 女性面部的特写镜头,部分与机械和建筑碎片融合。橙色的蝴蝶在她头部周围慢动作飞舞,象征着脆弱的希望。 场景 5: 拥挤的街道,上方是一堵巨大的弧形墙,墙上嵌入了小型结构和窗户。人们低着头漫无目的地行走,营造出一种机械化和压抑感。 场景 6: 一名头发凌乱的街头音乐家对着复古麦克风弹奏吉他。他身后站着一群沉默的人群。背景中隐约可见一辆生锈的电车。细雨开始落下。 场景 7: 一排穿着破旧复古服装的孩子静静地站着,直视镜头。他们的表情空洞,令人不安。镜头缓慢向前推移。 场景 8: 一对超现实的伴侣并肩行走。女子头上顶着一个房屋状的结构,她的脸透过一个小窗户隐约可见。身旁的男子身上覆盖着部分深色煤灰。他们沉默地穿过瓦砾。 场景 9(结尾): 一名女子坐在堆满旧收音机和时钟的杂乱房间里。她身后挂着一个写有“MORE”字样的牌子。她缓慢地转动复古收音机的旋钮,空气中充满了静电噪音。画面渐黑。 🎥 风格与运镜关键词 电影感,反乌托邦,超现实主义,慢动作,戏剧性光影,体积雾,景深,35mm 胶片质感,低饱和度色调,象征性叙事,忧郁氛围,平滑运镜
多语言2
适用于 Seedance 2.0 的反乌托邦超现实电影感视频提示词
zh-CN一部黑暗、具有电影感的超现实影片,背景设定在战后反乌托邦城市,色调柔和,冷色调处理,浅景深,轻微胶片颗粒感,戏剧性光影。 场景 1: 雾气弥漫的海岸线旁,一条破裂的空旷街道。一名身穿灰色长外套的女性正缓慢走向镜头。在她身旁,漂浮着一张由破碎建筑和混凝土构成的巨型人脸,仿佛有生命般微妙地移动。空气中漂浮着尘埃颗粒。 场景 2: 切换至室内,一个疲惫的孩子靠在破损的墙壁上,双眼半闭,神情憔悴。在模糊的背景中,另一个孩子静静地坐着。氛围沉重、荒凉且绝望。 场景 3: 一名神情严峻的中年男子身穿灰色大衣,站在废墟般的欧式街道上,身旁是一辆生锈的旧车。镜头缓慢推进,他神情坚毅地注视着前方。 场景 4: 女性面部的特写镜头,部分与机械和建筑碎片融合。橙色的蝴蝶在她头部周围慢动作飞舞,象征着脆弱的希望。 场景 5: 拥挤的街道,上方是一堵巨大的弧形墙,墙上嵌入了小型结构和窗户。人们低着头漫无目的地行走,营造出一种机械化和压抑感。 场景 6: 一名头发凌乱的街头音乐家对着复古麦克风弹奏吉他。他身后站着一群沉默的人群。背景中隐约可见一辆生锈的电车。细雨开始落下。 场景 7: 一排穿着破旧复古服装的孩子静静地站着,直视镜头。他们的表情空洞,令人不安。镜头缓慢向前推移。 场景 8: 一对超现实的伴侣并肩行走。女子头上顶着一个房屋状的结构,她的脸透过一个小窗户隐约可见。身旁的男子身上覆盖着部分深色煤灰。他们沉默地穿过瓦砾。 场景 9(结尾): 一名女子坐在堆满旧收音机和时钟的杂乱房间里。她身后挂着一个写有“MORE”字样的牌子。她缓慢地转动复古收音机的旋钮,空气中充满了静电噪音。画面渐黑。 🎥 风格与运镜关键词 电影感,反乌托邦,超现实主义,慢动作,戏剧性光影,体积雾,景深,35mm 胶片质感,低饱和度色调,象征性叙事,忧郁氛围,平滑运镜
适用于 Seedance 2.0 的反乌托邦超现实电影感视频提示词
enA dark, cinematic surreal film set in a post-war dystopian city, muted tones, cold color grading, shallow depth of field, soft film grain, dramatic lighting. Scene 1: A cracked empty street near a foggy shoreline. A woman in a long grey coat walks slowly toward the camera. Beside her floats a giant fragmented human face made of broken buildings and concrete, subtly shifting as if alive. Dust particles drift in the air. Scene 2: Cut to a tired child leaning against a broken wall indoors, eyes half-closed, exhausted. In the blurred background, another child sits silently. The atmosphere feels heavy, abandoned, and hopeless. Scene 3: A stern middle-aged man in a grey overcoat stands in a ruined European-style street beside an old rusty car. The camera slowly pushes in as he looks ahead with a hardened expression. Scene 4: Close-up of a woman’s face partially merged with mechanical and architectural fragments. Orange butterflies flutter around her head in slow motion, symbolizing fragile hope. Scene 5: A crowded street under a massive curved wall embedded with small structures and windows. People walk aimlessly, heads down, creating a sense of routine and oppression. Scene 6: A street musician with messy hair plays a guitar into a vintage microphone. Behind him stands a silent crowd. A rusted tram looms in the background. Light rain begins to fall. Scene 7: A line of children in worn vintage clothing stands still, staring directly into the camera. Their expressions are blank, almost haunting. Slow dolly movement forward. Scene 8: A surreal couple walks together. The woman carries a house-like structure on her head, with her face visible through a small window. The man beside her is partially covered in dark soot. They walk through rubble in silence. Scene 9 (Final): A woman sits in a cluttered room filled with old radios and clocks. A sign reading “MORE” hangs behind her. She slowly turns a knob on a vintage radio as static fills the air. Fade to black. 🎥 Style & Motion Keywords cinematic, dystopian, surreal realism, slow motion, dramatic lighting, volumetric fog, depth of field, 35mm film look, desaturated tones, symbolic storytelling, melancholic mood, smooth camera movement