3D 动画“倒霉的一天”叙事提示词
一个关于 3D 动画角色混乱早晨的叙事视频提示词,讲述了从睡过头到被公司解雇的全过程。
- 分类
- 真实摄影
- 模型
- seedance-2.0
- 来源作者
- Reliever B
- 原始语言
- en
- 来源 ID
- 4982
- 发布时间
- 2026年5月18日
完整提示词
主体:@Image1 3D 卡通角色;风格:高端风格化 3D 动画角色,电影级光影,表情生动,材质精致,动作夸张但真实,喜剧视觉叙事。服装:镜头 1–9 穿着蓝色条纹睡衣。镜头 10–11 更换工作服。镜头 12–15 穿着深色商务西装、白衬衫、领带和皮鞋。最终镜头:依然穿着那套湿透的西装。环境:小卧室、浴室、厨房、雨中街道、公交车站、办公室、结尾处的昏暗卧室。氛围:混乱、匆忙、倒霉、喜剧式的沮丧,最终以情感上的挫败感收尾。镜头 1:特写(ECU),85mm 推镜头 / 凌乱床头柜上的智能手机闹钟,屏幕显示 8:00。镜头 2:中近景(MCU),手持 50mm / 他穿着睡衣醒来,拍掉闹钟,说:“该死。”镜头 3:中近景(MCU),50mm 滑动镜头 / 在浴室里,依然穿着睡衣,他往脸上泼水,但水太烫了,烫到了眼睛。镜头 4:冰箱内部镜头,24mm / 依然穿着睡衣,他打开冰箱,发现除了花生酱罐头外几乎什么都没有。镜头 5:正面中景,50mm / 他盯着空荡荡的冰箱,然后抓起花生酱。镜头 6:细节特写,85mm / 两片吐司弹出,已经烤焦了。镜头 7:中近景(MCU),50mm / 他在烤焦的吐司上涂抹花生酱,匆忙咬了一口。镜头 8:中近景(MCU),手持 50mm / 回到浴室,依然穿着睡衣,他匆忙抓起牙刷和牙膏。镜头 9:细节特写,85mm / 他挤得太用力,刷牙前牙膏喷到了脸上。镜头 10:俯视细节镜头,35mm / 他单脚站立,开始穿西裤。镜头 11:中景(MS),手持 35mm / 依然单脚站立,他失去平衡摔倒在地。镜头 12:远景(WS),24mm 跟拍 / 现在穿好了西装和领带,他冲进倾盆大雨中追赶公交车。镜头 13:中景(MS),50mm 跟拍 / 依然穿着湿透的西装,他看着公交车远去,嘟囔着:“噢不,别又是这样。”镜头 14:从办公桌拍摄的低角度过肩镜头(OTS),50mm 快速推镜头 / 在办公室里,依然湿漉漉的,他坐在电脑前。老板俯身对他说:“你被解雇了。”镜头 15:远景(WS),35mm 快速推镜头 / 回到家,依然穿着那套湿透的西装,他走进昏暗的卧室,一头栽倒在床上。
多语言2
3D 动画“倒霉的一天”叙事提示词
zh-CN主体:@Image1 3D 卡通角色;风格:高端风格化 3D 动画角色,电影级光影,表情生动,材质精致,动作夸张但真实,喜剧视觉叙事。服装:镜头 1–9 穿着蓝色条纹睡衣。镜头 10–11 更换工作服。镜头 12–15 穿着深色商务西装、白衬衫、领带和皮鞋。最终镜头:依然穿着那套湿透的西装。环境:小卧室、浴室、厨房、雨中街道、公交车站、办公室、结尾处的昏暗卧室。氛围:混乱、匆忙、倒霉、喜剧式的沮丧,最终以情感上的挫败感收尾。镜头 1:特写(ECU),85mm 推镜头 / 凌乱床头柜上的智能手机闹钟,屏幕显示 8:00。镜头 2:中近景(MCU),手持 50mm / 他穿着睡衣醒来,拍掉闹钟,说:“该死。”镜头 3:中近景(MCU),50mm 滑动镜头 / 在浴室里,依然穿着睡衣,他往脸上泼水,但水太烫了,烫到了眼睛。镜头 4:冰箱内部镜头,24mm / 依然穿着睡衣,他打开冰箱,发现除了花生酱罐头外几乎什么都没有。镜头 5:正面中景,50mm / 他盯着空荡荡的冰箱,然后抓起花生酱。镜头 6:细节特写,85mm / 两片吐司弹出,已经烤焦了。镜头 7:中近景(MCU),50mm / 他在烤焦的吐司上涂抹花生酱,匆忙咬了一口。镜头 8:中近景(MCU),手持 50mm / 回到浴室,依然穿着睡衣,他匆忙抓起牙刷和牙膏。镜头 9:细节特写,85mm / 他挤得太用力,刷牙前牙膏喷到了脸上。镜头 10:俯视细节镜头,35mm / 他单脚站立,开始穿西裤。镜头 11:中景(MS),手持 35mm / 依然单脚站立,他失去平衡摔倒在地。镜头 12:远景(WS),24mm 跟拍 / 现在穿好了西装和领带,他冲进倾盆大雨中追赶公交车。镜头 13:中景(MS),50mm 跟拍 / 依然穿着湿透的西装,他看着公交车远去,嘟囔着:“噢不,别又是这样。”镜头 14:从办公桌拍摄的低角度过肩镜头(OTS),50mm 快速推镜头 / 在办公室里,依然湿漉漉的,他坐在电脑前。老板俯身对他说:“你被解雇了。”镜头 15:远景(WS),35mm 快速推镜头 / 回到家,依然穿着那套湿透的西装,他走进昏暗的卧室,一头栽倒在床上。
3D 动画“倒霉的一天”叙事提示词
enSUBJECT: @Image1 3D cartoon character; STYLE: High-end stylized 3D animated character, cinematic lighting, expressive face, polished materials, exaggerated but believable motion, comedic visual storytelling. WARDROBE: Blue striped pajamas in shots 1–9. Changing into work clothes in shots 10–11. Dark business suit, white shirt, tie, and dress shoes in shots 12–15. Final shot: still wearing the same wet suit. ENVIRONMENT: Small bedroom, bathroom, kitchen, rainy street, bus stop, office, dark bedroom at the end. MOOD: Chaotic, rushed, unlucky, comedic frustration, ending in emotional defeat. SHOT 1: ECU, 85mm push-in / Smartphone alarm on messy bedside table, screen shows 8:00. SHOT 2: MCU, handheld 50mm / He wakes up in pajamas, slaps the alarm off, says: “Oh shit.” SHOT 3: MCU, 50mm slide / In the bathroom, still in pajamas, he splashes water on his face, but it is too hot and burns his eyes. SHOT 4: Fridge interior shot, 24mm / Still in pajamas, he opens the fridge and sees almost nothing except a jar of peanut butter. SHOT 5: Front medium shot, 50mm / He stares at the empty fridge, then grabs the peanut butter. SHOT 6: Detail close-up, 85mm / Two slices of toast pop up burnt. SHOT 7: MCU, 50mm / He spreads peanut butter on the burnt toast and takes one rushed bite. SHOT 8: MCU, handheld 50mm / Back in the bathroom, still in pajamas, he grabs the toothbrush and toothpaste in a hurry. SHOT 9: Detail close-up, 85mm / He squeezes too hard and toothpaste shoots onto his face before brushing. SHOT 10: Top-down detail shot, 35mm / He starts putting on suit pants while standing on one leg. SHOT 11: MS, handheld 35mm / Still on one leg, he loses balance and crashes to the floor. SHOT 12: WS, 24mm tracking / Now fully dressed in suit and tie, he runs into pouring rain and chases the bus. SHOT 13: MS, 50mm tracking / Still in the wet suit, he watches the bus disappear and mutters: “Oh no, not again.” SHOT 14: Low-angle OTS from desk, 50mm snap push / At the office, still wet, he sits at the computer. The boss looms over him and says: “You’re fired.” SHOT 15: WS, 35mm fast push-in / Back home, still wearing the same wet suit, he enters his dark bedroom and throws himself face-first onto the bed.