Sakuga 动画动作项目
一个复杂的 2D 动画动作提示词,以视觉项目作为参考。详细描述了高速“sakuga”风格的动作、特定的调色板以及在巨大月亮下战斗场景的逐帧节奏。
- 分类
- 海报营销
- 模型
- seedance-2.0
- 来源作者
- Shore Lyn
- 原始语言
- en
- 来源 ID
- 7095
- 发布时间
- 2026年7月11日
完整提示词
使用 image_1 作为视觉项目锚点,确定镜头顺序、摄影语法、场面调度、道具/特效状态、屏幕方向和空间连续性。渲染最终拍摄的场景,而非分镜表;请勿添加此提示词之外的事件。将每个面板读取为独立的完整帧镜头样本。保持相同的 C#/对象标识,避免分屏或四分格画面,且不要在剑身上反射出任何生物。使用 <<<image_1>>> 作为 C1 最终外观、面部、身体、服装、比例、材质、剑身比例和肖像的唯一权威参考;项目中的剪影仅作为场面调度参考。视觉风格:高速 sakuga 2D 动画动作;平涂图形填充、锐利边缘、硬阴影,无绘画纹理,无写实感。非 3D,非 CGI,非灰色,非低饱和度。调色板:珊瑚粉色的场地和天空直接取自角色参考背景;灰白色月盘;所有敌人渲染为纯平黑色剪影,无表面细节;C1 服装仅限黑白两色;发光的白蓝色武士刀刃边缘;撞击时产生黑色墨汁血迹喷溅效果。音频:布料撕裂声、草地切割声、刀刃碰撞声、湿墨撞击声、生物呼吸声、断奏的脚步声,以及最终撞击前突如其来的近乎寂静;无旋律配乐,仅有叙事性的撞击节奏和闪切音效。环境:巨大月盘下的开阔草地,地平线处有低云块,稀疏的草地,空旷的图形化天空,没有额外的战斗人员。场地和天空为饱和的珊瑚粉色,无灰色或蓝色大气。情感引导:C1 起初像雕像般冷漠,随后变成一道疾驰的刀光;生物因后坐力、滞空和撞击姿势而失去阵地。节奏与升级:一个定格的海报级呼吸瞬间爆发为 sakuga 涂抹式剪辑、变速、鞭切、爆发式剪辑,并在最终以背对月亮的站姿达到高潮,此时仍有两个威胁存活。节奏:P01:低位广角英雄帧:C1 站在中左侧,长武士刀斜跨身体,月亮在后,超大号白色外套敞开,裙摆平整;C2、C3、C4 和 C5 作为纯黑剪影在草地边缘等待。P02:草地高度威胁:C3 以黑色剪影形态抓向左前景;C1 降至短跑运动员蹲姿,并将刀尖指向屏幕右侧,同时 C2 和 C4 在后方涌入;爪击处硬切。P03:手部与刀刃特写:C1 握住武士刀柄的手滑动,刀刃闪光在手部附近弹出,手腕扭转成白色涂抹帧;闪切进入发射状态。P04:压缩侧面中景:C1 变成一道水平斩击轨迹穿过 C3;黑色墨汁血迹在爬行者身后撕裂,身体向低处草地猛冲。P05:低位撞击广角:C2 黑色剪影从屏幕左侧冲锋;C1 双手交叉格挡,刀刃弯曲了攻击线,爆发式剪辑强调接触点;白色外套因撞击力而飘动。P06:从 C2 后方过肩镜头:C1 在野兽手臂下螺旋穿过,黑色百褶裙和白发向外甩动,剑弧向上挥向头顶的 C4。P07:高位对角线广角:C1 在场地车道上向屏幕右侧空中冲刺,下方是倒下的 C3,左侧是踉跄的 C2,右上方是俯冲的 C4,C5 在月亮线处显得很小;所有敌人保持为平涂黑色剪影。P08:地面特写:C1 的双脚在一条黑色墨迹旁滑过草地,脚后跟刻出一道新月,刀刃低扫,闪切涂抹掩盖了角度变化。P09:正面中景撞击:C1 向上跃起,将长武士刀刺入半空中的 C4,干净发光的刀刃边缘向前,黑色墨汁血迹在黑色翼状剪影后爆炸;接触点处碎裂剪辑。P10:来自 C5 的生物 POV:C1 带着发光的剑尖向镜头火箭冲刺,背带和外套拖在身后,C2 在左侧被裁剪,倒下的 C4 在右侧落下;变速从静止瞬间切换到攻击。P11:侧面剪影高潮:C1 在长涂抹姿势中全身猛扑,从月亮边缘切过 C5;黑色墨汁血迹向上呈弧形,同时 C2 在最左侧后退;头发和外套向外飘散。P12:低位静态广角释放:C1 在前景中心滑行停止,发光的武士刀横在身前,外套平复,C3 和 C4 倒在车道周围,C2 在最左侧存活,受伤的 C5 在最右侧。项目提示词:创建一个 16:9 的动态剑术项目表图像。[主体] 一个精致的现代极简主义项目,展示一名孤独的剑客将优雅的月下站姿转化为高速生物战斗。在十二个面板中传达全画幅摄像机角度、剑的状态、撞击姿势、液体撞击效果、屏幕方向和敌人状态。[页眉] 设计一个艺术化的项目页眉,包含场景感知的排版、细线、清晰的层级、宽敞的间距以及面板内部之外克制的图形处理。页眉必须包含以下两行引文:“Blade Under Moon”“A poised sword stance detonates into twelve sakuga strike frames.” [项目结构] 使用 AUTO 布局,共 12 个面板。使用紧凑的面板页眉,格式严格为:`P## / shot tag / beat name`。按照 P## 顺序为每个节奏条目绘制一个面板。[视觉风格] 面板内部为静默的超简洁分镜缩略图:开放式轮廓剪影、细中等亮度的石墨线条、宽广的负空间,仅保留姿势、接触、方向、涂抹形状和空间结果所需的锚点。仅显示外轮廓和肢体轮廓:无面部、解剖结构、服装细节、纹理、色调建模或阴影填充。面板内部保持单色。在此处通过颜色中性的形状/功能描述最终视频的彩色元素;最终颜色和调色板仅保留在 `prompt_video.txt` 中。[参考] 图像 A:仅限主剪影、发量、衬衫与裙子/裤子块、长剑比例、手部位置、月亮与云层构图。[连续性] 保持角色身份、实体数量、剑的状态、液体效果来源、屏幕方向、地理位置和空间结果的一致性。每个面板为一个全画幅构图,绝非分屏、四分格、插图或多视图面板。剑可以显示光泽或闪光形状,但绝不能反射出生物。倒下、标记和受损状态是跨面板持续存在的同一角色/对象,而非重复的额外副本。每个面板是一个冻结的瞬间,每个角色/对象只有一个姿势/状态;避免使用如 `then`(然后)、`after`(之后)、`before`(之前)、`first`(首先)、`next`(下一个)或 `later`(稍后)等描述先后顺序的词汇。[数量锁定] 在整个序列中,严格保留一名主角、一把剑和四个命名敌人角色:角兽、低爬行者、翼状攻击者、后方跳跃者。仅绘制每个节奏中命名的角色;绝不添加额外生物、重复倒下的角色、幽灵姿势、分屏副本或反射出的生物。倒下的低爬行者、倒下的翼状攻击者和受伤的后方跳跃者是命名时的持续状态,而非新尸体。[文本规则] 可见文本:仅限两行引用的页眉和紧凑的面板页眉。不要渲染章节标签、角色名称、实体 ID、注释、箭头、标注或说明。[约束] 避免使用徽标、水印、叠加层、额外面板、分屏面板、四分格画面、插图、剑身反射生物、成品插画、密集细节、面板颜色、重复/幽灵实体、可见 ID 和不一致的数量。[节奏] 每个视觉节奏绘制一个项目面板:节奏:P01 / low moon stance / blade held:低位广角全画幅视图;主角站在中左侧,长剑斜跨身体,月盘在后,四个敌人剪影在草地边缘等待。P02 / ground threat / sprinter drop:草地高度近景广角;低爬行者爪子占据左前景,主角像短跑运动员一样蹲下,剑尖指向屏幕右侧,角兽和翼状攻击者在后方涌入。P03 / object flare / wrist snap:主角手部和长剑的紧凑特写;握把附近有一个闪光形状,手腕剧烈扭转,刀刃表面保持干净。P04 / impact profile / slash streak:臀部
多语言2
Sakuga 动画动作项目
zh-CN使用 image_1 作为视觉项目锚点,确定镜头顺序、摄影语法、场面调度、道具/特效状态、屏幕方向和空间连续性。渲染最终拍摄的场景,而非分镜表;请勿添加此提示词之外的事件。将每个面板读取为独立的完整帧镜头样本。保持相同的 C#/对象标识,避免分屏或四分格画面,且不要在剑身上反射出任何生物。使用 <<<image_1>>> 作为 C1 最终外观、面部、身体、服装、比例、材质、剑身比例和肖像的唯一权威参考;项目中的剪影仅作为场面调度参考。视觉风格:高速 sakuga 2D 动画动作;平涂图形填充、锐利边缘、硬阴影,无绘画纹理,无写实感。非 3D,非 CGI,非灰色,非低饱和度。调色板:珊瑚粉色的场地和天空直接取自角色参考背景;灰白色月盘;所有敌人渲染为纯平黑色剪影,无表面细节;C1 服装仅限黑白两色;发光的白蓝色武士刀刃边缘;撞击时产生黑色墨汁血迹喷溅效果。音频:布料撕裂声、草地切割声、刀刃碰撞声、湿墨撞击声、生物呼吸声、断奏的脚步声,以及最终撞击前突如其来的近乎寂静;无旋律配乐,仅有叙事性的撞击节奏和闪切音效。环境:巨大月盘下的开阔草地,地平线处有低云块,稀疏的草地,空旷的图形化天空,没有额外的战斗人员。场地和天空为饱和的珊瑚粉色,无灰色或蓝色大气。情感引导:C1 起初像雕像般冷漠,随后变成一道疾驰的刀光;生物因后坐力、滞空和撞击姿势而失去阵地。节奏与升级:一个定格的海报级呼吸瞬间爆发为 sakuga 涂抹式剪辑、变速、鞭切、爆发式剪辑,并在最终以背对月亮的站姿达到高潮,此时仍有两个威胁存活。节奏:P01:低位广角英雄帧:C1 站在中左侧,长武士刀斜跨身体,月亮在后,超大号白色外套敞开,裙摆平整;C2、C3、C4 和 C5 作为纯黑剪影在草地边缘等待。P02:草地高度威胁:C3 以黑色剪影形态抓向左前景;C1 降至短跑运动员蹲姿,并将刀尖指向屏幕右侧,同时 C2 和 C4 在后方涌入;爪击处硬切。P03:手部与刀刃特写:C1 握住武士刀柄的手滑动,刀刃闪光在手部附近弹出,手腕扭转成白色涂抹帧;闪切进入发射状态。P04:压缩侧面中景:C1 变成一道水平斩击轨迹穿过 C3;黑色墨汁血迹在爬行者身后撕裂,身体向低处草地猛冲。P05:低位撞击广角:C2 黑色剪影从屏幕左侧冲锋;C1 双手交叉格挡,刀刃弯曲了攻击线,爆发式剪辑强调接触点;白色外套因撞击力而飘动。P06:从 C2 后方过肩镜头:C1 在野兽手臂下螺旋穿过,黑色百褶裙和白发向外甩动,剑弧向上挥向头顶的 C4。P07:高位对角线广角:C1 在场地车道上向屏幕右侧空中冲刺,下方是倒下的 C3,左侧是踉跄的 C2,右上方是俯冲的 C4,C5 在月亮线处显得很小;所有敌人保持为平涂黑色剪影。P08:地面特写:C1 的双脚在一条黑色墨迹旁滑过草地,脚后跟刻出一道新月,刀刃低扫,闪切涂抹掩盖了角度变化。P09:正面中景撞击:C1 向上跃起,将长武士刀刺入半空中的 C4,干净发光的刀刃边缘向前,黑色墨汁血迹在黑色翼状剪影后爆炸;接触点处碎裂剪辑。P10:来自 C5 的生物 POV:C1 带着发光的剑尖向镜头火箭冲刺,背带和外套拖在身后,C2 在左侧被裁剪,倒下的 C4 在右侧落下;变速从静止瞬间切换到攻击。P11:侧面剪影高潮:C1 在长涂抹姿势中全身猛扑,从月亮边缘切过 C5;黑色墨汁血迹向上呈弧形,同时 C2 在最左侧后退;头发和外套向外飘散。P12:低位静态广角释放:C1 在前景中心滑行停止,发光的武士刀横在身前,外套平复,C3 和 C4 倒在车道周围,C2 在最左侧存活,受伤的 C5 在最右侧。项目提示词:创建一个 16:9 的动态剑术项目表图像。[主体] 一个精致的现代极简主义项目,展示一名孤独的剑客将优雅的月下站姿转化为高速生物战斗。在十二个面板中传达全画幅摄像机角度、剑的状态、撞击姿势、液体撞击效果、屏幕方向和敌人状态。[页眉] 设计一个艺术化的项目页眉,包含场景感知的排版、细线、清晰的层级、宽敞的间距以及面板内部之外克制的图形处理。页眉必须包含以下两行引文:“Blade Under Moon”“A poised sword stance detonates into twelve sakuga strike frames.” [项目结构] 使用 AUTO 布局,共 12 个面板。使用紧凑的面板页眉,格式严格为:`P## / shot tag / beat name`。按照 P## 顺序为每个节奏条目绘制一个面板。[视觉风格] 面板内部为静默的超简洁分镜缩略图:开放式轮廓剪影、细中等亮度的石墨线条、宽广的负空间,仅保留姿势、接触、方向、涂抹形状和空间结果所需的锚点。仅显示外轮廓和肢体轮廓:无面部、解剖结构、服装细节、纹理、色调建模或阴影填充。面板内部保持单色。在此处通过颜色中性的形状/功能描述最终视频的彩色元素;最终颜色和调色板仅保留在 `prompt_video.txt` 中。[参考] 图像 A:仅限主剪影、发量、衬衫与裙子/裤子块、长剑比例、手部位置、月亮与云层构图。[连续性] 保持角色身份、实体数量、剑的状态、液体效果来源、屏幕方向、地理位置和空间结果的一致性。每个面板为一个全画幅构图,绝非分屏、四分格、插图或多视图面板。剑可以显示光泽或闪光形状,但绝不能反射出生物。倒下、标记和受损状态是跨面板持续存在的同一角色/对象,而非重复的额外副本。每个面板是一个冻结的瞬间,每个角色/对象只有一个姿势/状态;避免使用如 `then`(然后)、`after`(之后)、`before`(之前)、`first`(首先)、`next`(下一个)或 `later`(稍后)等描述先后顺序的词汇。[数量锁定] 在整个序列中,严格保留一名主角、一把剑和四个命名敌人角色:角兽、低爬行者、翼状攻击者、后方跳跃者。仅绘制每个节奏中命名的角色;绝不添加额外生物、重复倒下的角色、幽灵姿势、分屏副本或反射出的生物。倒下的低爬行者、倒下的翼状攻击者和受伤的后方跳跃者是命名时的持续状态,而非新尸体。[文本规则] 可见文本:仅限两行引用的页眉和紧凑的面板页眉。不要渲染章节标签、角色名称、实体 ID、注释、箭头、标注或说明。[约束] 避免使用徽标、水印、叠加层、额外面板、分屏面板、四分格画面、插图、剑身反射生物、成品插画、密集细节、面板颜色、重复/幽灵实体、可见 ID 和不一致的数量。[节奏] 每个视觉节奏绘制一个项目面板:节奏:P01 / low moon stance / blade held:低位广角全画幅视图;主角站在中左侧,长剑斜跨身体,月盘在后,四个敌人剪影在草地边缘等待。P02 / ground threat / sprinter drop:草地高度近景广角;低爬行者爪子占据左前景,主角像短跑运动员一样蹲下,剑尖指向屏幕右侧,角兽和翼状攻击者在后方涌入。P03 / object flare / wrist snap:主角手部和长剑的紧凑特写;握把附近有一个闪光形状,手腕剧烈扭转,刀刃表面保持干净。P04 / impact profile / slash streak:臀部
Sakuga 动画动作项目
enUse image_1 as the visual storyboard anchor for shot order, camera grammar, staging, prop/effect state, screen direction, and spatial continuity. Render the final filmed scene, not the sheet; do not add events outside this prompt. Read each panel as a separate full-frame shot sample. Preserve the same C#/object identities, avoid split-screen or quadrant frames, and do not show any creature reflected in the sword. Use <<<image_1>>> as the sole authority for C1 final appearance, face, body, wardrobe, proportions, materials, sword scale, and likeness; storyboard silhouettes are staging references only. VISUAL STYLE: High-speed sakuga 2D anime action; flat graphic fills, sharp edges, hard shadows, no painterly textures, no realism. NOT 3D, NOT CGI, NOT grey, NOT desaturated. COLOR PALETTE: Coral-pink field and sky pulled directly from the character reference background; off-white moon disk; all enemies rendered as pure flat black silhouettes with no surface detail; C1 wardrobe in white and black only; glowing white-blue katana blade edge; black ink-blood burst effects on impact. AUDIO: Cloth snaps, grass cuts, blade rings, wet ink impacts, creature breath, staccato footwork, and abrupt near-silence before the final hit; no melodic score, only diegetic impact rhythm and flash-cut stings. ENVIRONMENT: Open grass field under a huge moon disk, low cloud blocks at the horizon, sparse grass, empty graphic sky, no extra fighters. Field and sky are saturated coral-pink, no grey or blue atmosphere. EMOTIONAL GUIDANCE: C1 starts statuesque and unimpressed, then becomes a streaking blade line; the creatures lose ground through recoil, air time, and impact poses. RHYTHM + ESCALATION: One held poster-frame breath detonates into sakuga smear cuts, speed ramps, whip cuts, burst cuts, and one-frame impact flashes, peaking in a moon-backed final stance with two threats still alive. BEATS: P01: Low wide hero frame: C1 stands center-left, long katana glowing diagonally across the body, moon behind, oversized white jacket open and skirt settled; C2, C3, C4, and C5 wait at the grass edge as flat black silhouettes. P02: Grass-level threat: C3 claws into foreground left as a black silhouette shape; C1 drops into a sprinter crouch and snaps the blade tip screen right as C2 and C4 surge behind; hard cut on the claw. P03: Tight hand-and-blade insert: C1's grip on the katana handle slides, blade flare pops near the hand, wrist twists into a white smear frame; flash cut into launch. P04: Compressed profile medium: C1 becomes a horizontal slash streak through C3; black ink-blood tears open behind the crawler and the body whips low into grass. P05: Low impact wide: C2 black silhouette charges from screen left; C1 meets it with a two-hand cross-body guard, blade bending the attack line, burst cut punching the contact; white jacket billowing from impact force. P06: Over-shoulder from C2: C1 corkscrews under the brute's arm, black pleated skirt and white hair snapping outward, sword arc whipping up toward C4 overhead. P07: High diagonal wide: C1 air-dashes screen right across the field lane, fallen C3 below, C2 staggered left, C4 diving from upper right, C5 small at the moon line; all enemies remain flat black silhouettes. P08: Ground insert: C1's feet skid through grass beside one black ink streak, heel carving a crescent, blade sweeping low as a flash-cut smear hides the angle change. P09: Frontal medium hit: C1 springs upward and drives the long katana into C4 midair, clean glowing blade edge forward, black ink-blood exploding behind the black wing silhouette; smash cut at contact. P10: Creature POV from C5: C1 rocket-dashes into lens with glowing sword point forward, harness straps and jacket trailing, C2 cropped left and fallen C4 dropping right; speed ramp snaps from freeze to attack. P11: Side silhouette payoff: C1 lunges full-body in a long smear pose and slices past C5 at the moon edge; black ink-blood arcs upward while C2 recoils far left; hair and jacket cape outward. P12: Low static wide release: C1 lands center foreground in a sliding stop with glowing katana across the body, jacket settling, C3 and C4 fallen around the lane, C2 alive far left, wounded C5 far right. STORYBOARD PROMPT: Create a 16:9 kinetic sword-combat storyboard sheet image. [SUBJECT] A polished modern-minimal production board for a lone sword fighter turning a poised moonlit stance into high-speed creature combat. Communicate full-frame camera angles, sword state, impact poses, liquid hit effects, screen direction, and enemy state across twelve panels. [HEADER] Design an artistic production-board header with scene-aware typography, thin rules, clear hierarchy, generous spacing, and restrained graphic treatment outside panel interiors. The header must contain exactly these two quoted lines: "Blade Under Moon" "A poised sword stance detonates into twelve sakuga strike frames." [BOARD STRUCTURE] Use AUTO layout with 12 panels. Use compact panel headers exactly in this format: `P## / shot tag / beat name`. Draw one panel per BEATS entry in P## order. [VISUAL STYLE] Panel interiors are silent ultra-clean blocking thumbnails: open-outline silhouettes, thin medium-light graphite linework, broad negative space, and only anchors needed for pose, contact, direction, smear shape, and spatial result. Show only outer body-mass and limb contours: no face, anatomy, clothing detail, texture, tonal modeling, or shaded fill. Keep panel interiors monochrome. Describe final-video colored elements by color-neutral shape/function here; final color and palette stay only in `prompt_video.txt`. [REFERENCES] Image A: lead silhouette, hair mass, shirt-and-skirt/trouser block, long sword scale, hand placement, moon-and-cloud composition only. [CONTINUITY] Keep role identity, entity count, sword state, liquid-effect origin, screen direction, geography, and spatial result consistent. Each panel is one full-frame composition, never a split-screen, quadrant, four-way frame, inset, or multi-view panel. The sword may show shine or flare shape, but never a creature reflection. Fallen, marked, and damaged states are the same role/object continuing across panels, not repeated extra copies. Each panel is one frozen instant with one pose/state per role/object; avoid before/after wording such as `then`, `after`, `before`, `first`, `next`, or `later`. [COUNT LOCK] Across the sequence preserve exactly one lead fighter, one sword, and four named enemy roles: horned brute, low crawler, winged attacker, rear leaper. Draw only roles named in each beat; never add extra creatures, duplicate fallen roles, ghost poses, split-screen copies, or reflected creatures. Fallen low crawler, fallen winged attacker, and wounded rear leaper are continuing states when named, not new bodies. [TEXT RULES] Visible text: only the two quoted header lines and compact panel headers. Do not render section labels, role names, entity IDs, notes, arrows, callouts, or annotations. [CONSTRAINTS] Avoid logos, watermarks, overlays, extra panels, split-screen panels, quadrant frames, insets, sword reflections of creatures, finished illustration, dense detail, panel color, duplicate/ghost entities, visible IDs, and inconsistent counts. [BEATS] Draw one storyboard panel per visual BEAT: BEATS: P01 / low moon stance / blade held: low wide full-frame view; lead fighter stands center-left with long sword held diagonally across body, moon disk behind, four enemy silhouettes wait along the grass edge. P02 / ground threat / sprinter drop: grass-height close-wide; low crawler claw dominates foreground left, lead fighter crouches like a sprinter with sword tip screen right, horned brute and winged attacker surge behind. P03 / object flare / wrist snap: tight insert on lead fighter hands and long sword; one flare shape sits near the grip, wrist angle twists hard, blade surface stays clean. P04 / impact profile / slash streak: hip













